PROFESSIONS
Actor, Director, Writer, Busboy, Construction Worker, Dishwasher, Janitor, Longshoreman, Physiotherapist, Messenger
SOMETIMES CREDITED AS
Sir Sidney Poitier
BIOGRAPHY
A gifted, handsome leading man, generally acknowledged as Hollywood's first black superstar and the first black performer to win an Oscar as Best Actor ("Lilies of the Field" 1963), Sidney Poitier grew up in humble circumstances in The Bahamas, British West Indies and moved to the USA at age 15 to live with his brother in Miami, FL. After serving in the US Army during World....
A gifted, handsome leading man, generally acknowledged as Hollywood's first black superstar and the first black performer to win an Oscar as Best Actor ("Lilies of the Field" 1963), Sidney Poitier grew up in humble circumstances in The Bahamas, British West Indies and moved to the USA at age 15 to live with his brother in Miami, FL. After serving in the US Army during World War II as a physiotherapist, he joined the American Negro Theater, making his Broadway debut as understudy for all the male roles in their all-black production of Aristophanes' "Lysistrata" (1946). Poitier starred on Broadway the following year in "Anna Lucasta" and made his feature debut (along with Ruby Dee and Ossie Davis) in Joseph L Mankiewicz's "No Way Out" (1950). Memorable performances as a manly and striking preacher in "Cry, the Beloved Country" (1952), a troubled youth in Richard Brooks' "The Blackboard Jungle" (1955) and as John Cassavetes' understanding friend in Martin Ritt's "Edge of the City" (1957) preceded the international recognition he received for his Oscar-nominated work in "The Defiant Ones" (1958).

Poitier returned to Broadway, starring in Lorraine Hansberry's groundbreaking "A Raisin in the Sun" (1959). The first Broadway play written by a black woman, it was also the first directed by a black man (Lloyd Richards), and the dignified, sedate, intelligent Poitier would reprise his role in the film version two years later, beginning a string of commanding performances at the very core of his body of work. In addition to his Academy Award-winning turn in "Lilies of the Field", he starred in "A Patch of Blue" (1965), "In the Heat of the Night" and "Guess Who's Coming to Dinner" (both 1967), all turning upon the issue of race (and all winning Oscars for fellow actors Shelley Winters, Rod Steiger and Katharine Hepburn) as well as some which didn't--"A Slender Thread" and "The Bedford Incident" (both 1965). Poitier's international popularity and the mainstream middle-class roles he played during this period (authority figures such as doctors, law officers, teachers) helped pave the way for the commercial black cinema of the early 70s and were instrumental in allowing blacks to appear in less stereotypical screen roles.

Poitier debuted first as a director on Broadway, helming "Carry Me Back to Morningside Heights" (1968), and launched his second career in features with "Buck and the Preacher" (1972). He would direct five films, including "A Warm December" (1973) and the immensely popular "Uptown Saturday Night" (1974), before finally directing a film in which he did not also act, the profitable Richard Pryor-Gene Wilder pairing in "Stir Crazy" (1980). After a decade away from acting, Poitier made a much-publicized return to the screen in 1988, working opposite Tom Berenger in Roger Spottiswoode's thriller "Shoot to Kill" and playing an FBI agent in "Little Nikita". The 90s saw him assume a higher profile as a performer while putting directing on the back burner. In addition to his feature roles in movies like the high-tech caper yarn "Sneakers" (1992) and Michael Caton-Jones' political thriller "The Jackal" (1997), Poitier turned in celebrated portrayals for the small screen in the miniseries "Separate But Equal" (ABC, 1991), as Thurgood Marshall, "Children of the Dust" (CBS, 1995), "Mandela and De Klerk" (Showtime, 1997) and the CBS movie "To Sir, With Love II" (1996), in which he reprised his role from the 1967 feature.



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