Quincy Jones
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RECENT CREDITS
Good Hair (FILM)  Oct. 9, 2009
Mad TV (TV)  Apr. 25, 2009
Hancock (FILM)  Jul. 2, 2008
BET Awards '08 (TV)  Jun. 24, 2008

BIOGRAPHY
A versatile, multi award-winning artist whose prolific film work during the 1960s and 70s ran the gamut from the lightly comedic "Walk, Don't Run" (1966) to the chilling "In Cold Blood" (1967), Quincy Jones has also....
A versatile, multi award-winning artist whose prolific film work during the 1960s and 70s ran the gamut from the lightly comedic "Walk, Don't Run" (1966) to the chilling "In Cold Blood" (1967), Quincy Jones has also enjoyed noted collaborations with Sidney Lumet, particularly on "The Pawnbroker" (1965) and "The Anderson Tapes" (1971). His film scores encompass discordant, atonal compositions as well as more conventional melodies. Jones is also one of the most successful contemporary pop songwriters and producers; he was behind the record-breaking Michael Jackson's "Thriller" album and the charity benefit single "We Are the World". From a French horn player with Lionel Hampton and a host of other big bands, he became not just a ground-breaking recording artist, but the composer of 33 motion pictures, producer of dozens of platinum albums, the executive producer of such TV series as "The Fresh Prince of Bel-Air" (NBC, 1990-96) and "Mad TV" (Fox, 1995- ), the owner of several TV stations and the publisher of Vibe magazine. Jones ended his producing partnership with David Salzman in 1997 but continued as owner of Qwest Records, through which he discovered and nurtured such new talent as Tamia and Tevin Campbell. In short, Jones is an icon and one of the most revered individuals in the entertainment industry.

Growing up in the Pacific Northwest, Jones had aspiration of a career as a big band musician. By the 50s, he was playing French horn and trumpet and also arranging the music for Lionel Hampton and later Dizzy Gillespie. In the early 60s, Jones became the vice president of artists and repertory at Mercury Records and was involved in the careers of and often arranged music for artists like Peggy Lee, Ray Charles, Tony Bennett, Andy Williams, Sarah Vaughn, and others. It was during this same period that he composed the music for "Pojken i tradet/The Boy in the Tree" (1960). Five years later, Sidney Lumet employed Jones as composer for "The Pawnbroker", possibly the first time an African American had created the music for a mainstream motion picture. His atonal, jangling score perfectly matched the character study and he soon became one of the most sought after composers in Hollywood. Jones was nominated for Oscars for the scores of "In Cold Blood" (1967) and for the song "The Eyes of Love" from "Banning" (1967), and the title song for "For Love of Ivy" (1969). His scoring continued well into the 80s, including the Academy Award-nominated "The Color Purple" (1985), a film on which Jones also served as co-producer. On TV, Jones is best recalled for his Emmy-winning theme and background music for the ground-breaking ABC miniseries "Roots" (1977), but his work dates back to the 1966 TV series, "Hey, Landlord" and encompasses several early Bill Cosby series, and the original theme to "The Oprah Winfrey Show". He is also an owner of several TV stations, including one in New Orleans.

A revered record producer, Jones has developed the careers and produced the albums of numerous other artists. Many critics felt that Michael Jackson did his best work with the Jones-produced "Off the Wall" and "Thriller". He also conceived the magazine VIBE as an urban ROLLING STONE and oversaw the 1997 launch of a TV version of the show in the crowded late night talk show circuit. Jones' prolific career was spotlighted in the 1990 documentary "Listen Up".



Headlines

Quincy Jones at the 2009 ASCAP Pop Awards. The Renaissance Hollywood Hotel, Hollywood, CA. 04-22-09
Jun. 26, 2009
Quincy Jones has been left shocked and stunned by the death of Michael Jackson, calling the King of Pop "my little brother."



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